It is in the workshop and at the bench that an insight into the soul of wood craftsmanship can be truly gained. There are tools, there is the wood – rude planks, ungarnished, their surface scored with the saw. Between them, and without which each is useless, must come the soul and spirit of the designer and craftsman; the deft hands prompted by an alert mind; the knowledge attained only through years of study and service; the creative instinct and ability that will, by the correct use of the tools, transform the mere plank into a thing of usefulness and beauty – possibly a joy for ever… It was at the lathe, when a youth, that I first realised the charm of line, the contour that flows continuously on, diminishing and enlarging, though separated by ornamental members… Those who have studied woodcraft for half a century find themselves still learning and quite unable to pack all their knowledge into a nutshell for the convenience of a beginner. The training is not that of the university; it is, however, quite as exacting in its own way and so merits equal recognition and respect, and it is encouraging to note that this idea is slowly gaining ground. The woodworkers of a century ago added to their carpentry the dignity of craft; this is why the examples of their handiwork that remain are treasured. Let it not be assumed that it is merely because such work is old that it is appreciated so highly. Even a slight study will reveal the artist mind that prompted the hands, the perception that had grasped the principles of design, the certain knowledge in its decisive finish. There is the secret of its permanent inspiration, its power to soothe and charm.

Walter Rose, 1938

See also 23.53–23.70 Work and economic affairs